About

Jon Sasaki
A Space of Endless Potential, 2020–2024
5.5 × 2.7 × 2.8 m / 18' 2" × 8' 11" × 9'
motorized 3-axis gantry, controller, ball

Something was set in motion.

It should have slowed to a standstill long before now but it didn't, it is still going. Slowly. It appears not to have succumbed to the many forces that threaten to sap its energy, which is strange; in the universe we live in, energy is finite. Once expended, it leaves that thing that held it (a ball, a person, the universe itself) listless and static. Yet this little ball is still bouncing, almost like it exists in a universe outside of ours, untethered from its rules.

This installation, made in collaboration with engineer Gordon Hicks, conjures both a little orange ball that can bounce indefinitely and the charged room that allows it to do so. A place where objects are immune from the forces—of drag, air resistance, friction, kinetic energy loss—that normally bring bouncing balls to a standstill. A place where we can imagine our own energy to be similarly boundless.

The mechanics of the illusion are apparent from the outset: a motorized gantry, similar to the movable bed of a CNC machine or 3D printer, has been scaled to the size of the project room and suspended from the ceiling. It has been programmed to control the ball along three axes of movement following paths of travel that an actual thrown ball would take. The movements are unpredictable, generated in real time, and conceivably might never repeat throughout the exhibition. Incorporating a slow-motion version of real world physics the ball traces an ever unfolding and ultimately unpredictable path.

Ever present, the gantry is hard to ignore. It tells us how the trick is done, while the movements of the ball invite us to disregard those facts and be party to our own deception. To imagine an entity with boundless drive. Slowed to a dreamy pace, the ball ricochets through the BMO project room, transforming it into a lunar, weightless space. Time slows as we contemplate a little spherical object that will never run out of steam, possessing the unflagging energy and dynamism that we might wish for ourselves.

Jon Sasaki was born in Toronto in 1973, where he continues to live and work. He has exhibited widely across this country including at the National Gallery of Canada, (Ottawa, ON), the Esker Foundation, (Calgary, AB), the McMichael Canadian Art Collection, (Kleinburg, ON) the Art Gallery of Ontario, and The Rooms (St. John’s, NL). Sasaki has participated in group exhibitions at the National Museum of Modern and Contemporary Art, (Seoul), the Canadian Embassy in Japan (Tokyo), and the Museum of Contemporary Art (Toronto, ON). He has completed public art commissions both collaboratively and independently for the City of Mississauga, Sheridan College, the Toronto Transit Commission, Toronto's waterfront and the City of Barrie Ontario. Jon’s work is included in numerous private and public collections. He holds a BFA from Mount Allison University (Sackville, NB) and is represented by Clint Roenisch Gallery in Toronto.

jonsasaki.com

Gordon Hicks, based in Toronto, is an artist and engineer whose work blends science and technology to explore our world. Using electronics, sensors, and kinetics, he creates mixed-media installations that examine natural and technological systems. His work has been showcased at Nuit Blanche (Toronto), the Agnes Etherington Centre (Kingston), Surrey Art Gallery (Surrey, BC), and Blackwood Gallery (Mississauga). Hicks frequently collaborates with other artists, including for public art commissions such as Errant Rain Cloud (2019) in Richmond, BC, together with artist Germaine Koh. A graduate of Systems Design Engineering from the University of Waterloo, Hicks also designs custom electronics and engineered systems in support of other artists’ projects.

Commissioned by BMO Financial Group